Press
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October 19, 2023
“ Beebe sang with beguiling purity of tone and molten lyricism”
–Michael Caruso, Chestnut Hill Local -
December 17, 2022
Sopranos Jessica Beebe and Crossley Hawn plus countertenor Cody Pastor Bowers floated the trio “Suscepit Israel.”
–Charles Downey, WashingtonClassicalReview.com -
May 27, 2020
Jessica Beebe’s agile soprano and ability to negotiate the difficult part of Luna reminded me of her superb performance in the 2017 premiere."
–Margaret Darby, ClassicalVoiceAmerica.org
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As Luna/Hecate, soprano Jessica Beebe is evocative and ethereal"
–Arlo McKinnon, Opera News
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December 22, 2019
"Jessica Beebe’s soprano bounced like a beam of light throughout the sanctuary, as she rejoiced over the news of the Savior’s birth"
–Cameron Kelsall, Broad Street Review
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May 23, 2019
"Only soprano Jessica Beebe sang with complete beauty of tone and stylistic assurance, investing her interpretations with passion and pleasure"
–Michael Caruso, Chestnut Hill Local
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December 22, 2017
"Beebe's voice is a marvel of expressive clarity and tonal warmth committed to the service of intense yet eloquent lyricism"
–Michael Caruso, Chestnut Hill Local
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September 23, 2017
"Soprano Jessica Beebe made the most of her solo time as Luna/Hecate, regaling us with ample tonal beauty and shimmering delivery"
–James Sohre, Opera Today
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September 22, 2017
"The most radiant solo singing came from soprano Jessica Beebe as Luna/Hecate"
–David Shengold, Opera News
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January 2, 2017
"The concert’s two soprano soloists gave equally memorable performances. Plymouth Meeting’s Jessica Beebe sang with shimmering clarity of tone and precision of phrasing, employing just the right amount of vibrato for expression within stylistic authenticity"
–Michael Caruso, Chestnut Hill Local
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December 20, 2016
"Beebe sang with consummate interpretive artistry and commanding vocal technique. She sang with effortless projection over a broad dynamic range that was always placed within the context of stylistic authenticity"
–Michael Caruso, Chestnut Hill Local
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December 6, 2016
“Jessica Beebe, a ravishing soprano with a sweet vocal quality perfect for this repertoire, completed the quartet with a breathtaking “Rejoice greatly” and stylistically authentic recitatives. She and Caso, in “He shall feed His flock,” captured the peace of the season.
–Susan L Pena, Reading Eagle
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June 22, 2016
"Eve Gigliotti (Auntie), Jessica Beebe (First Niece), and Sharon Harms (Second Niece) established themselves as important figures in the village landscape"
–David Patrick Sterns, Philadelphia Inquirer -
"As the flirtatious Barbarina, Jessica Beebe established her blond, rosy presence in the first act and sealed the deal with a honey-colored “L’ho perduta"
–Opera News -
June 18, 2015
...And let me mention a small but significant contribution: a bright young operatic star, Jessica Beebe, as Barbarina, Antonio’s daughter, who stole hearts with the only aria in the minor mode, L’ho perduta, me meschina — (I’ve lost it, poor me). To bring such authenticity and expression to a small part signifies a great talent. Hoping to hear more good things about this soprano in the years ahead"
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September 18, 2012
"Another appealing performance was turned in by Beebe as flirtatious Zerlina... soprano Beebe was charming in 'Vedrai, carino"
–The Examiner -
February 8, 2011
“Soprano Jessica Beebe poured her rich and expressive soprano voice all over the music Purcell gave the story’s heroine, Dido… Beebe sang radiantly and with heart-rending passion”
–Peter Jacobi, The Bloomington Herald Times